COMPOSER
BIOGRAPHY
Alexey Shor was born in Ukraine in 1970, immigrated to Israel in 1991, and now lives primarily in the USA.
His compositions have been performed at some of the most prestigious concert halls, including Wiener Musikverein, Berlin Philharmonie, Carnegie Hall, Kennedy Center (Washington DC), Great Hall of Moscow Conservatory, Mariinsky Theatre (St. Petersburg), Kremlin Palace (Moscow), The Concertgebouw (Amsterdam), Gasteig (Munich), Wigmore Hall (London), Teatro Argentina (Rome) and many others. Concerts with his music have been broadcast on MediciTV, Mezzo and Euronews. Mr Shor’s music has been showcased on Fox Business News and the websites of Bloomberg News, the New Yorker, Yahoo and the Huffington Post. The Overture to his ballet “Crystal Palace” was performed at the 40th Gramophone Classical Music Awards ceremony in London. In 2018 he has been awarded an honorary professorship at the Komitas State Conservatory of Yerevan. In 2022 Mr.Shor has been appointed as Yehudi Menuhin School’s first associate composer.
Mr. Shor’s scores are published by Breitkopf & Hartel, Universal Edition and P.Jurgenson.
CDs with his compositions have been issued by Warner Classics, DECCA, SONY Classics, Naxos, Delos, Berlin Classics and Melodiya.
Mr. Shor is the Composer-In-Residence for the Armenian State Symphony Orchestra.
Many internationally acclaimed artists have performed Mr Shor’s music, including (in alphabetical order) Behzod Abduraimov, Salvatore Accardo, Ray Chen, Steven Isserlis, Evgeny Kissin, Denis Kozukhin, Shlomo Mintz, Mikhail Pletnev, Gil Shaham, Yeol Eum Son, Yekwon Sunwoo, Maxim Vengerov, Nikolaj Znaider and many others.
He also holds a Ph.D. in mathematics.
Violin | Japan
Both as the soloist of international orchestras and as a sought-after chamber musician, Daishin Kashimoto is a regular guest of major concert halls around the globe. The tremendous wealth of experience gained in over 15 years as first concert master of the Berliner Philharmoniker benefits him in his equally adept role as a soloist, where he plays a wide repertoire ranging from classical to new music. Last season, Daishin Kashimoto performed Bruch's Violin Concerto with the Dallas Symphony Orchestra conducted by Fabio Luisi, and appeared with the City of Birmingham Orchestra as well as the NDR Radio Philharmonic. In the summer of 2022, his tour of Japan with the Gürzenich Orchestra under the baton of François-Xavier Roth took him to renowned Japanese concert halls, including Suntory Hall in Tokyo. A highlight of this season is the world premiere of Toshio Hosokawa's new violin concerto Prayer with the Berliner Philharmoniker at the Philharmonie Berlin in March 2023, followed by the Swiss premiere at the KKL Luzern with the Lucerne Symphony Orchestra in June. An Asian tour with the City of Birmingham Orchestra is scheduled for the end of the season.
Daishin Kashimoto has appeared with the NHK Symphony Orchestra, Boston Symphony Orchestra, Orchestre National de France, the Bavarian, Hessian, and West German Radio Symphony Orchestras, the Orchestre de la Suisse Romande, and the St Petersburg Philharmonic Orchestra under conductors such as Mariss Jansons, Seiji Ozawa, Lorin Maazel, Yehudi Menuhin, Paavo Järvi, Myung-Whun Chung, Daniel Harding, and Philippe Jordan. He can also be heard as a soloist in concerts with the Berliner Philharmoniker. Past engagements include Mozart's Sinfonia Concertante at the Grafenegg Festival and Lucerne Festival, Prokofiev's Violin Concerto No. 1 under the baton of Sir Simon Rattle, and Tchaikovsky's Sérénade Mélancolique and Valse Scherzo at Berlin's Waldbühne under direction of Andris Nelsons. As a chamber musician Daishin Kashimoto has appeared alongside Martha Argerich, Yuja Wang, Leif Ove Andsnes, Alessio Bax, Emmanuel Pahud, Itamar Golan, Tabea Zimmermann, Yefim Bronfman, Claudio Bohórquez and Konstantin Lifschitz, among others. With Konstantin Lifschitz, he also recorded a highly acclaimed CD of Beethoven’s Violin Sonatas in 2014. His other recordings include a CD of Brahms’ Violin Concerto with the Staatskapelle Dresden under Myung Whun Chung for Sony Music.
His parents introduced him to various instruments early on, with the three-year-old opting for the violin and receiving his first lessons in Tokyo. After moving to the United States, Daishin Kashimoto was accepted, at the tender age of seven, as the youngest student to ever attend Julliard School's pre-college program; at age eleven, he transferred to the Lübeck University of Music under Zakhar Bron, before becoming a student of Rainer Kussmaul at the Freiburg University of Music from 1999 to 2004. He also had great success in major competitions as a teenager, taking first prize at the Menuhin Junior International Competition in 1993, the Cologne Violin Competition in 1994, and in 1996 at the Vienna Fritz Kreisler and the Long-Thibaud Competitions. Daishin Kashimoto has been the artistic director of the Le Pont Music Festival in Ako and Himeji (Japan) since 2007. He plays on a del Gesu 1744 "de Beriot" kindly loaned by Crystco, Inc. and its chairman Mr. Hikaru Shimura.
Piano | Cyprus · France
Cyprien Katsaris, the French-Cypriot pianist and composer, was born in Marseilles in 1951. He first began to play the piano in Cameroon where he spent his childhood, at the age of four, with Marie-Gabrielle Louwerse. A graduate of the Paris Conservatoire where he studied piano with Aline van Barentzen, Monique de la Bruchollerie, and chamber music with René Leroy and Jean Hubeau, he won the International Young Interpreters Rostrum-UNESCO (Bratislava 1977), the First Prize in the International Cziffra Competition (Versailles 1974) and he was the only western-European prize-winner at the 1972 Queen Elisabeth of Belgium International Competition.
His major international career includes performances with the world’s greatest orchestras: Berlin Philharmonic, Staatskapelle Dresden, Leipzig Gewandhaus Orchestra, Cleveland Orchestra, Royal Concertgebouw Orchestra Amsterdam, Philharmonia (London), NHK Symphony Orchestra (Tokyo), Moscow Philharmonic Orchestra, Beijing Symphony Orchestra. He has collaborated with conductors such as Leonard Bernstein, Kurt Masur, Myung Whun Chung, Sir Neville Marriner, Sir Simon Rattle, Antal Doráti, Mstislav Rostropovich, Charles Dutoit, Nikolaus Harnoncourt, Christoph von Dohnányi and Karl Münchinger, who on the festive occasion of his farewell concert in 1986, with the Stuttgart Chamber Orchestra, personally invited Mr. Katsaris to perform the Haydn D major Concerto. Mr. Katsaris has recorded extensively for Teldec (Grand Prix du Disque Frédéric Chopin, Warsaw 1985; Grand Prix du Disque Franz Liszt, Budapest 1984 and 1989; British Music Retailers Association’s Award 1986; Record of the Year 1984, Germany, for the 9th Symphony of Beethoven/Liszt), Sony Classical, EMI, Deutsche Grammophon, BMG/RCA, Decca, Pavane, and now on his own label, PIANO 21. In addition to the standard repertory, such as the complete Concertos by Mozart, recorded live and performed in Salzburg and Vienna with Yoon K. Lee and the Salzburger Kammerphilharmonie, he has revived long lost works such as the Liszt/Tchaikovsky’s Concerto in the Hungarian style which he has recorded with Eugene Ormandy and the Philadelphia Orchestra. In 1992, the Japanese NHK TV produced with Cyprien Katsaris a thirteen-program series on Frédéric Chopin which included masterclasses and his own performance. On 17 October 1999, the New York concertgoers offered Mr. Katsaris a standing ovation in Carnegie Hall for his recital dedicated to Frédéric Chopin, performed on the day of his 150th death Anniversary.
On 27 January 2006, the day of the 250th Anniversary of Mozart’s birth, he was the soloist at the inaugural concert of the Mozart Orchestra Mannheim founded and conducted by Thomas Fey. In March 2006 Cyprien Katsaris was the first pianist ever to give masterclasses in Franz Liszt’s house in Weimar since Liszt, who taught there for the very last time in 1886, the year of his death. In August 2008, he was invited to give two concerts on the occasion of the Beijing Olympic Games at the National Center for the Performing Arts. In addition to the world premier of a concerto for ten pianos and orchestra – China Jubilee – by the composer Cui Shiguang, he improvised on an ancient Greek melody, and on, inter alia, Chinese melodies, in tribute to the universality of the Olympic Games. On 10 July 2014 Cyprien Katsaris performed in the first concert at the Fondation Louis Vuitton in Paris.
He has been a member of the jury of the following International Competitions: Chopin (Warsaw 1990), Liszt (Utrecht 1996), Vendôme Prize (Paris 2000), Marguerite Long-Jacques Thibaud – Ville de Paris (2001), Beethoven (Bonn 2005), Giorgos Thymis (Thessaloniki 2011) and Scriabin (Moscow 2012). In addition he was appointed Artistic Director of the Echternach International Festival (Luxembourg) from 1977 to 2007. Cyprien Katsaris is “Artist of UNESCO for Peace” (1997), “Commandeur de l’Ordre de Mérite du Grand-Duché de Luxembourg” (2009) and “Knight of the Order of Arts and Letters” (France 2000). He also received the “Médaille Vermeil de la Ville de Paris” (2001) and the “Nemitsas Prize” (Cyprus, 2011). He is a member of ADAP, the Association of Artists for Peace, and Honorary President of “Lisztomanias International”. In May 2023 the pianist Cyprien Katsaris was awarded the Franz Liszt Honorary Prize 2023 by the Klassik Stiftung Weimar and the Neue Liszt Stiftung. Throughout his life, the pianist has contributed greatly and in a special way to a profiled new view of the piano works of Franz Liszt (1811-1886) in all their fullness. Early on, the pianist and composer included the hitherto largely unnoticed large area of Liszt's transcriptions in his concert programmes.
Piano | Italy
Enrico Pace was born in Rimini, Italy. He studied piano with Franco Scala at the Rossini Conservatory, Pesaro, where he graduated in Conducting and Composition too, and later at the Accademia Pianistica “Incontri col Maestro” in Imola, with Lazar Berman and Boris Petrushansky.
Jacques De Tiège was a valued mentor.
Winning the Utrecht International Franz Liszt Piano Competition in 1989 marked the beginning of his international career.
Since then Enrico Pace has toured extensively, performing in cities such as Amsterdam (Concertgebouw), Milan (Sala Verdi and Teatro alla Scala), Rome, Berlin, London (Wigmore Hall, Barbican Centre),Paris, Madrid, Munich, Salzburg, Prague, Korea, Japan and various cities in US and South America.
Enrico Pace greatly enjoys chamber music and has played with violinists Liza Ferschtman, Akiko Suwanai, Kristóf Barati, Mihaela Martin, Ragnhild Hemsing and A. Conunova; cellists Frans Helmerson, István Várdai, Alexander Chaushian, Sung-Won Yang, Daniel Müller-Schott, Julian Steckel and clarinetist Sharon Kam. He participates regularly in chamber music festivals and has visited Delft, Moritzburg, Risør, Kuhmo, Stresa, Verbier, Lucerne, Rheingau, Schleswig-Holstein among others. Enrico Pace enjoys a long term partnership with violinist Leonidas Kavakos: with him he recorded the complete Beethoven Sonatas for piano and violin. With violinist Frank Peter Zimmermann he recorded the complete Sonatas for violin and piano by J.S. Bach for Sony Classical. In 2011 the label Piano Classics released his solo recording of Franz Liszt’s Annéees de pèlerinage “Suisse” and “Italie”. With cellist Sun-Won Yang he has recorded works by Schumann, Brahms, Chopin and Liszt. Recently their complete Beethoven Cello and piano music has been released by Decca. He’s teaching regularly at the Imola and Pinerolo Music Academies.
Conductor | Spain
Lucas Macías is the new artistic director of the Orquesta Ciudad de Granada, and at the same time Chief Conductor of the Oviedo Filarmonía since 2018.
The season will begin with a Beethoven program with the Orques
ta Ciudad de Granada. He will then conduct the production of Simon Boccanegra by Giuseppe Verdi at the Teatro Cervantes in Malaga together with Carlos Álvarez and the Filármonica de Málaga. Later we will see him together with the Sinfónica de Tenerife, and then in Oviedo, where together with the Oviedo Filarmonía, during the months of November and December, they will pay tribute to the German composer Ludwig van Beethoven, with his ninth symphony, the complete work by Egmont and finally, the opera Fidelio.
Among his upcoming debuts are the Real Orquesta Sinfónica de Sevilla, the National Youth Orchestra of Spain, the Youth Orchestra of the Canary Islands, etc.
Lucas Macías made his conducting debut at the Teatro Colón in Buenos Aires in 2014 following an exceptional career as one of the world’s leading oboists –a former principal of the Royal Concertgebouw Orchestra and the Lucerne Festival Orchestra as well as founding member of Claudio Abbado’s Orchestra Mozart under whose mentorship he gleaned a deep knowledge and understanding of both chamber and symphonic repertoire.
Previous season’s highlights include concerts with Swedish Radio Orchestra, Orchestre de Chambre de Lausanne, Orchestre de Paris – where he worked closely with Daniel Harding for two years as Assistant Conductor, – Filarmónica de Buenos Aires, Orchestre de Cannes, Het Gelders Orkest, Castilla León Symphony Orchestra (OSCyL), Real Filharmonía de Galicia among others.
Lucas Macías Navarro began his musical studies at the age of 9 and was later accepted in Heinz Holliger's oboe class at Freiburg University. He continued his studies at the Karajan Academy of the Berlin Philharmonic, and in Geneva with Maurice Bourgue. He has won several competitions, including the 2006 International Oboe Competition of Japan. He has made many recordings with Claudio Abbado on Deutsche Grammophon, Claves Music and Euroarts.
He studied conducting at the Music University in Vienna with Mark Stringer and he is Professor at the Hochschule für Musik Freiburg.
Conductor | Germany
From the outset of his conducting career, the name of Christoph Poppen has been internationally recognised and synonymous for innovative and original programming and commitment across all genres of classical music. A frequent guest conductor, he has worked with orchestras such as Deutsches Symphonie-Orchester Berlin, Staatskapelle Dresden, Bamberger Symphoniker, Orchestre Philharmonique de Radio France, Wiener Symphoniker, Orquestra Sinfônica do Estado de São Paulo, New Japan Philharmonic, and also enjoys longstanding artistic relationships with important orchestras such as Seoul Philharmonic Orchestra, Residentie Orchestra, Netherlands Philharmonic, KBS Symphony Orchestra, to name just a few.
In the 2022/23 season, Christoph Poppen continues his highly successful collaborations with the Kölner Kammerorchester in his role as Principal Conductor and as Principal Guest Conductor of both Hong Kong Sinfonietta and Israel Chamber Orchestra. Other highlights include an engagement with Orquestra Sinfónica do Porto Casa da Música and return visits to Deutsche Radiophilharmonie Saarbrücken Kaiserslautern, Münchener Kammerorchester, Athens State Orchestra, and the continuation of his recorded cycle of the complete Mozart Masses with Kölner Kammerorchester for Naxos.
In the field of opera, he very successfully led a production of Die Entführung aus dem Serail at Aalto Theatre in Essen and performances of Gluck’s Iphigénie en Aulide at Staatsoper Stuttgart. In 2016 he returned to the Teatro Carlo Felice in Genoa for a production of Don Giovanni. He conducted performances of Les pêcheurs de perles at Oper Frankfurt – which led to an immediate re-invitation for Die Zauberflöte – and created the new production of Sing For Me, Death by composer Claude Vivier with the RuhrTriennale company in Gelsenkirchen. In 2017 he conducted Weber’s Oberon in concert version at Opera Köln.
Over the years, Christoph Poppen has held a number of significant Directorships in Germany. From 1995 to 2006, he was Artistic Director of the Münchener Kammerorchester, establishing the ensemble’s new profile in a short period of time. His distinctive programmes, based on a contrast of classical and contemporary music with many commissioned works, met with huge success. In August 2006, he was appointed Music Director of the Radio Symphony Orchestra Saarbrücken, and from 2007 until 2011 he was the Music Director of the newly formed Deutsche Radiophilharmonie Saarbrücken Kaiserslautern.
Under his artistic leadership the Festival Internacional de Música de Marvão (Portugal) has grown to become a highly successful and award-winning musical happening featuring soloists such as Jörg Widmann, Augustin Hadelich, Javier Perianes and Clara-Jumi Kang. Between 2020 and 2022 he was also Artistic Director of the Classic Revolution Festival in Seoul, South Korea, for which he curated highly inventive programmes and united many of the best international artists from Korea and the West, for performances exclusively at the Lotte Concert Hall.
Christoph Poppen has been Professor of Violin and Chamber Music at the Hochschule für Musik in Detmold, and later at the Hanns Eisler Hochschule für Musik in Berlin, where he was President from 1996 through 2000. From 2001 through to 2005, Christoph Poppen was Artistic Director of the renowned ARD International Music Competition. Since 2003, he has held a post as professor for Violin and Chamber Music at the Hochschule für Musik und Theater in Munich. In 2019, he founded the International Academy for Music, Arts and Science in Marvão/Portugal, and since the 2021/22 academic year, Chair Professor of Violin at the prestigious Escuela Superior de Música Reina Sofía in Madrid.
Conductor | Norway
Newly announced as Chief Conductor of the Noord Nederlands Orkest (starting from 2022/23 season) and Artistic and General Director of Bergen National Opera since 2021, Eivind Gullberg Jensen is equally comfortable on the concert platform as the opera house stage.
An experienced conductor with an extensive repertoire range, he is recognised for his knowledgeable and insightful interpretations. Following a majority vote by the orchestra musicians, his new role in The Netherlands runs for an initial period of three years.
During the 2021/22 season, Jensen debuts in North America with Orchestre symphonique de Québec and Utah Symphony Orchestra, and in Europe with Orquesta Sinfónica de Tenerife and Wermland Operas Orkest. He returns to Copenhagen Philharmonic Orchestra, Kristiansand Symfoniorkester, Filharmonia Poznańska, Orchestre Philharmonique de Monte Carlo, and twice visits Noord Nederlands Orkest, including a performance at the historic Het Concertgebouw in Amsterdam.
2020/21 season highlights include the French premiere of Waiting, a dramatised concert based on Peer Gynt by Calixto Bieito and Karl Ove Knausgård, with soprano Mari Eriksmoen in Strasbourg’s Opera National du Rhin, and debut with Copenhagen Philharmonic Orchestra.
Jensen has previously conducted the Berliner Philharmoniker, Münchner Philharmoniker, Hamburger Symphoniker and WDR Sinfonieorchester in Germany, Amsterdam’s Royal Concertgebouw Orchestra, Vancouver, North Carolina and Oregon symphony orchestras in North America, and further in Europe the Royal Stockholm and Netherlands Radio philharmonic orchestras, Orchestre de Paris and Tonhalle-Orchester Zürich.
Over recent seasons he has worked with internationally renowned soloists such as Leif Ove Andsnes, Truls Mørk, Alice Sara Ott, Javier Perianes, Hélène Grimaud, Gautier Capuçon, Sol Gabetta, Alban Gerhardt, Hilary Hahn, Gabriela Montero, Emmanuel Pahud, Yefim Bronfman, Alexander Toradze, Vadim Repin, Viktoria Mullova, Renaud Capuçon, Frank Peter Zimmermann, Mari Eriksmoen, Charlotte Hellekant, Albert Dohmen or Guy Braunstein.
Previous opera highlights include, Festival d’Aix-en-Provence with the new Simon McBurney production of The Rake’s Progress, the Wiener Staatsoper with Tosca and Rusalka, Opéra de Lille with Die Zauberflote and Der fliegende Holländer, Teatro dell’Opera di Roma with Rusalka, English National Opera with Janáček’s Jenůfa, a double-bill of Il tabarro and Djamileh (directed by David Pountney and Christopher Alden) in Lyon, Il corsaro and Rusalka for Opernhaus Zürich, Fidelio with the Mahler Chamber Orchestra, Bayerische Staatsoper and as part of the Festspielhaus Baden-Baden, as well as Rusalka, Eugene Onegin and La bohème (in Stefan Herheim’s production) at Den Norske Opera.
Eivind Gullberg Jensen studied conducting in Stockholm with Jorma Panula, and in Vienna with Leopold Hager. Previously, he studied violin and musical theory in Trondheim, Norway.
Conductor | Germany
“Giving space to music” runs like a thread through Nabil Shehata's life, both literally and figuratively. As a nine-year-old, the double bass opens the door to, in his words, “the most beautiful repertoire there is” – namely that of classical music. As a young person, he feels the growing desire to be involved in this music as a conductor. Shehata follows this impulse, gives up his position as principal bass player of the Berliner Philharmoniker, and has since successfully embarked on a career as a conductor. A critic recently wrote that he conducts with “authority full of ease” an observation that corresponds precisely with what Shehata is aiming for. “It is about resonating with each other. This is what creates music. This is what I want to achieve with orchestras”. Shehata has developed a conducting style that is closely related to chamber music making, because he is convinced that “this is how music is created that can achieve what audiences, orchestras, and conductors alike desire: unforgettable concert experiences!”.
Nabil Shehata's career began as principal bass player with the Staatskapelle Berlin and the Berlin Philharmonic. As a conductor, he has been mentored and taught by Christian Thielemann, Rolf Reuter, and Lawrence Forster, among others. Since 2019, he has been chief conductor of the Philharmonie Südwestfalen and has recently conducted as a guest, among other ensembles, the Stuttgart Philharmonic, the Munich Radio Orchestra, the Robert Schumann Philharmonic, and the Luxembourg Philharmonic Orchestra. Not long ago, he made his conducting debut with great success at the sold-out Elbphilharmonie. Prior to his current position, he was the chief conductor at the Munich Chamber Opera, and broadened his experience at the Berlin State Opera as an assistant to Daniel Barenboim. As a professor of double bass in Munich and Berlin as well as a member of the West-Eastern Divan Orchestra, he has passed on his experience to younger musicians for many years. In his hometown of Verden, Shehata founded the “Maiklänge” chamber music festival, which is a heartfelt project for him to organize high-quality concerts where he grew up.
Piano | Hong Kong/USA
Zee Zee (Zhang ZUO) has performed with leading orchestras worldwide such as the BBC Symphony, BBC Philharmonic, London Philharmonic, Royal Liverpool Philharmonic, Belgian National Orchestra, Sinfonieorchester Basel, Borusan Istanbul Philharmonic, Hong Kong Philharmonic, NHK Symphony Orchestra, Philharmonia Orchestra, Tonhalle Zurich, Los Angeles Philharmonic, San Francisco Symphony, Minnesota Symphony, Cincinnati Symphony, Seattle Symphony, and Pasadena Symphony.
Zee Zee regularly works with some of today’s leading conductors, including Marin Alsop, Charles Dutoit, Domingo Hindoyan, Michał Nesterowicz, Yan Pascal Tortelier, Paavo Järvi, Neeme Järvi, and Xian Zhang. She played at prestigious venues and festivals including Wigmore Hall, Kennedy Center, Lincoln Center, Vancouver Recital Society, Lucerne Festival, the Gilmore Festival, Aspen Festival and Ravinia Festival.
A passionate chamber musician, Zee Zee frequently performs with the Z.E.N. Trio alongside violinist Esther Yoo and cellist Narek Hakhnazaryan. The trio tours throughout the world. They had their first U.S. tour in October 2019 and will tour in Australia in August 2022.
In October 2019, Universal released her first album, featuring Ravel’s Piano Concerto in G and Liszt’s Piano Concerto No. 2 with Paavo Järvi and the Philharmonia Orchestra. Zee Zee’s latest solo album "Journey", which features works from Wagner, Schönberg, and Liszt, was released in May 2022.
Violin | Canada
James Ehnes has established himself as one of the most sought-after musicians on the international stage. Gifted with a rare combination of stunning virtuosity, serene lyricism and an unfaltering musicality, Ehnes is a favourite guest at the world’s most celebrated concert halls.
Recent orchestral highlights include the MET Orchestra at Carnegie Hall, Gewandhausorchester Leipzig, San Francisco Symphony, London Symphony, NHK Symphony and Munich Philharmonic. Throughout the 22/23 season, Ehnes continues as Artist in Residence with the National Arts Centre of Canada. Alongside his concerto work, Ehnes maintains a busy recital schedule. He performs regularly at the Wigmore Hall (including the complete cycle of Beethoven Sonatas in 2019/20, and the complete violin/viola works of Brahms and Schumann in 2021/22), Carnegie Hall, Symphony Center Chicago, Amsterdam Concertgebouw, Ravinia, Montreux, Verbier Festival, Dresden Music Festival and Festival de Pâques in Aix. A devoted chamber musician, he is the leader of the Ehnes Quartet and the Artistic Director of the Seattle Chamber Music Society.
Ehnes has an extensive discography and has won many awards for his recordings, including two Grammy’s, three Gramophone Awards and eleven Juno Awards. In 2021, Ehnes was announced as the recipient of the coveted Artist of the Year title in the 2021 Gramophone Awards which celebrated his recent contributions to the recording industry, including the launch of a new online recital series entitled ‘Recitals from Home’ which was released in June 2020 in response to the COVID-19 pandemic and subsequent closure of concert halls. Ehnes recorded the six Bach Sonatas and Partitas and six Sonatas of Ysaÿe from his home with state-of-the-art recording equipment and released six episodes over the period of two months. These recordings have been met with great critical acclaim by audiences worldwide and Ehnes was described by Le Devoir as being "at the absolute forefront of the streaming evolution". Ehnes began violin studies at the age of five, became a protégé of the noted Canadian violinist Francis Chaplin aged nine, and made his orchestra debut with L’Orchestre symphonique de Montréal aged 13. He continued his studies with Sally Thomas at the Meadowmount School of Music and The Juilliard School, winning the Peter Mennin Prize for Outstanding Achievement and Leadership in Music upon his graduation in 1997. He is a Member of the Order of Canada and the Order of Manitoba, a Fellow of the Royal Society of Canada, and an honorary fellow of the Royal Academy of Music, where he is a Visiting Professor.
Ehnes plays the “Marsick” Stradivarius of 1715.
Violin | USA
"Lauded for her “phenomenal maturity” and “fresh and spontaneous, yet emotionally profound and intellectually well-structured performance” (Jerusalem Post), American violinist Stella Chen has been bursting onto the world stage following her first prize win at the 2019 Queen Elizabeth International Violin Competition. In the last year alone, Stella was named a recipient of a prestigious 2020 Avery Fisher Career Grant and 2020 Lincoln Center Emerging Artist Award.
Concerto highlights for Stella in the upcoming season include appearances with the Chicago Symphony, Hangzhou Philharmonic, and her Lincoln Center concerto debut with the Juilliard Orchestra featuring the U.S. premiere of Jörg Widmann’s Concerto No. 2, conducted by the composer. In her most recent season, Stella had debuts with the Belgian National Orchestra, Brussels Philharmonic, the Luxembourg Philharmonia, and many others. She also made first appearances at the Salzburg Mozarteum, Ravinia, and Kronberg Academy Festivals, and performed throughout Europe, East Asia, and India, including a concert tour of South Korea.
Stella’s approach to music-making is fundamentally guided by the concept of exploration: deep-diving into the works she performs, looking into interpersonal and collaborative approaches, and seeking opportunities for cross-cultural exchange. This perspective guides such projects as her ongoing investigation of Schubert’s Fantasie for Piano and Violin, a phenomenal example of vulnerability, sincerity, and humanity in music.
Her dedication to this perspective manifests as well in her many treasured collaborations with phenomenal artists. Collaborative partners have included extraordinary musicians such as Itzhak Perlman, Robert Levin, Gábor Takács-Nagy, Stéphane Denève, Matthew Lipman, and the Silk Road Ensemble. She has appeared as a chamber musician in festivals including the Perlman Music Program, Music@Menlo, the Sarasota Festival, and YellowBarn. She is a member of the Bowers Program at the Chamber Music Society of Lincoln Center starting in the 2021-2022 season.
Stella enjoys the privilege of cross-cultural exchange through performances and educational experiences. She and colleagues at Harvard University represented Western classical music at the first Bhutan International Festival, a multicultural celebration of the arts on the occasion of the 35th birthday of the King of Bhutan. She was also a part of the Ravinia Festival’s Steans Institute trip to Cuba and participated in performances at the Festival de Música de Cámara as well as opportunities to interact with young Cuban musicians in an educational capacity. With the Harvard-Radcliffe Orchestra, Stella visited Jordan and Israel on a tour that she considers very important to her musical and personal growth.
Stella believes in the importance of cultivating an appreciation for classical music among the younger generations, and as such devotes time and energy to teaching. To this end, Stella has worked with the Boston Youth Symphony Orchestras, and serves as a teaching assistant for her longtime mentor Li Lin at the Juilliard School.
She is the first recipient of the Robert Levin Award from Harvard University, the top prize winner of the Tibor Varga International Violin Competition and youngest ever prize winner of the Menuhin Competition. She has given solo performances at venues such as the Kennedy Center, Metropolitan Museum of Art, WQXR’s Greene Space, Rockefeller University, and on the Dame Myra Hess Memorial Concert Series in Chicago. Other concerto appearances include those with the Lausanne Chamber Orchestra, Orquesta Filarmónica de Medellín, London Chamber Orchestra, and Welsh National Symphony Orchestra.
A graduate of the Harvard/New England Conservatory Dual Degree Program, Stella received a Bachelor of Arts in psychology with honors from Harvard University and a Master of Music from NEC. Stella is currently finishing up her studies as C.V. Starr doctoral candidate at the Juilliard School, writing her dissertation on one of her favorite pieces of music, Schubert’s Fantasie for Piano and Violin. She is a professional studies candidate at Kronberg Academy. Teachers and mentors include Mihaela Martin, Li Lin, Donald Weilerstein, Itzhak Perlman, and Miriam Fried. She plays the ‘Huggins’ 1708 Stradivarius violin, generously on loan from the Nippon Music Foundation.
In her free time, Stella loves figure skating and is a big fan of NCT and all of its sub-groups.
Piano | Turkey
With his extraordinary pianistic talents, Fazıl Say has been touching audiences and critics alike for more than twenty-five years, in a way, that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with this artist are something different. They are more direct, more open, more exciting; in short, they go straight to the heart.
Since the beginning of his career he has played with all of the renowned American and European orchestras and numerous leading conductors, building up a multifaceted repertoire ranging from Bach, through the Viennese Classics (Haydn, Mozart and Beethoven) and the Romantics, right up to contemporary music, including his own piano compositions.
Guest appearances have taken Fazıl Say to countless countries on all five continents; the French newspaper “Le Figaro” called him ‘a genius’. He also performs chamber music regularly: since many years he has been part of a fantastic duo with violinist Patricia Kopatchinskaja. Other notable collaborators include Maxim Vengerov, the Minetti Quartet, Nicolas Altstaedt and Marianne Crebassa.
As a composer, Say has been commissioned to write music for, among others, the Salzburger Festspiele, the WDR and the Schleswig-Holstein Musik Festival, the Festspiele Mecklenburg-Vorpommern, the Konzerthaus Wien, the Dresdner Philharmonie, the Louis Vuitton Foundation, the Orpheus Chamber Orchestra and the BBC. His oeuvre includes four symphonies, two oratorios, various solo concertos and numerous works for piano and chamber music.
Highlights of the 2020-21 season include concerts with the Münchner Philharmoniker under Thomas Hengelbrock in Munich and Baden-Baden, the Tonhalle-Orchester Zürich under Paavo Järvi in Zurich and Hamburg, the Israel Philharmonic Orchestra under Iván Fischer, the Orpheus Chamber Orchestra and the Classic Open Air on the Gendarmenmarkt with the Konzerthausorchester Berlin and Christoph Eschenbach.
In recitals Fazıl Say can be heard in Japan and European cities such as Milan, Paris, Budapest, Moscow and Munich; in the first half of the season he dedicates his programmes mainly to Beethoven’s sonatas, in 2021 he takes Bach's Goldberg Variations and Schubert's C minor Sonata D 958 with him on tour.
Fazıl Say also regularly performs his own works in concert, including his piano concerto "Silk Road" with the Orchestre de Chambre de Lausanne, the Georgian Chamber Orchestra and the Irish Chamber Orchestra; "The Moving Mansion" with the Orpheus Chamber Orchestra, the Würth Philharmoniker and the Amsterdam Sinfonietta; his song cycle "İlk Şarkılar" with mezzo-soprano Serenad Bağcan in Hamburg, Zurich and İstanbul, and his İstanbul Symphony with the Orchester der Komischen Oper Berlin.
Fazıl Say has produced an extensive discography of over 40 CDs. His recordings for Teldec Classics, naïve and Warner have received numerous awards, including four ECHO KLASSIK and a Gramophone Classical Music Award. Since 2016 Fazıl Say has been an exclusive artist with Warner Classics, where his last recording of all Beethoven’s piano sonatas was released in January 2020.
Piano | Uzbekistan
Behzod Abduraimov’s performances combine an immense depth of musicality with phenomenal technique and breath-taking delicacy. He performs with renowned orchestras worldwide including Philharmonia Orchestra, Los Angeles Philharmonic, Deutsches Symphonie-Orchester Berlin, San Francisco Symphony, The Cleveland Orchestra, Orchestre de Paris, Concertgebouworkest, Czech Philharmonic, Vienna Symphony Orchestra, NHK Symphony and Rundfunk-Sinfonieorchester Berlin (RSB) with prestigious conductors such as, Santtu-Matias Rouvali, Gustavo Dudamel, Semyon Bychkov, Gianandrea Noseda, Juraj Valčuha, Vasily Petrenko and Constantinos Carydis.
2023/24 performances include Chicago Symphony, Mozarteumorchester Salzburg, Houston Symphony and Pittsburgh Symphony Orchestras, Oslo Philharmonic, Stavanger Symphony Orchestra including a tour of Spain and Belgian National Orchestra performing at the Concertgebouw, Amsterdam. Behzod will also appear with Adelaide Symphony Orchestra and Sydney Symphony Orchestra. Conductor collaborations include Osmo Vänskä, Juraj Valčuha, Constantinos Carydis, Robin Ticciati, Manfred Honeck, Yoel Levi, Han-Na Chang, Hannu Lintu and Andris Poga.
In recital Behzod has appeared a number of times at Carnegie Hall’s Stern Auditorium, Queen Elizabeth Hall in London and Amsterdam’s Concertgebouw, and has recently been presented by Alte Oper, Frankfurt, Toppan Hall, Tokyo, Teatro alla Scala and La Società dei Concerti di Milano. In 2023/24 Behzod will appear twice at Carnegie Hall – returning to the Stern Auditorium for solo recital, followed by a duo recital with Daniel Lozakovich at the Weill Auditorium. The duo will present recitals elsewhere in North America including Bing Hall, Stanford, and the Vancouver Recital series. Behzod will also perform in recital at the Seoul Arts Centre, Shanghai Concert Hall, Amare Hall, Hague and the Tuesday Evening Concert Series, Charlottesville. Regular festival appearances include Aspen, Verbier, Rheingau, La Roque Antheron, Lucerne and Ravello festivals.
Behzod’s second recording for Alpha Classics, featuring works by Ravel, Prokofiev, and Uzbek composer Dilorom Saidaminova, was released on 12 January 2024. The album won the Gramophone Editor’s Choice award and was named one of the Apple Music ‘10 Classical Albums You Must Hear This Month’ of February 2024. 2021 saw the highly successful release of his first recital album for Alpha Classics based on a programme of Miniatures including Mussorgsky’s Pictures at an Exhibition. In 2020 recordings included Rachmaninov’s Rhapsody on a Theme of Paganini with Lucerne Symphony Orchestra under James Gaffigan, recorded on Rachmaninov’s own piano from Villa Senar for Sony Classical and Rachmaninov’s Piano Concerto No.3 with Concertgebouworkest, for the RCO live label. Both recordings were nominated for the 2020 Opus Klassik awards in multiple categories. A DVD of his BBC Proms debut in 2016 with Münchner Philharmoniker was released in 2018. His 2012 debut CD of Liszt, Saint-Saëns and Prokofiev for Decca won the Choc de Classica and Diapason Découverte, and his first concerto disc for the label featured Prokofiev’s Piano Concerto No.3 and Tchaikovsky’s Concerto No.1.
Born in Tashkent, Uzbekistan, in 1990, Behzod began the piano aged five as a pupil of Tamara Popovich at Uspensky State Central Lyceum in Tashkent. In 2009, he won first prize at the London International Piano Competition with Prokofiev’s Piano Concerto No.3. He studied with Stanislav Ioudenitch at the International Center for Music at Park University, Missouri, where he is Artist-in-Residence.
“Behzod Abduraimov has the magic touch” — The Times
Conductor | Armenia
Sergey Smbatyan is the Artistic Director and Principal Conductor of the Armenian State Symphony Orchestra and the Principal Conductor of the Malta Philharmonic Orchestra. An avid popularizer of classical music, the conductor has an extensive international engagement, and is committed to rejuvenating the classical music audiences and the promotion of contemporary classical music globally.
Born into a family of musicians, Sergey Smbatyan took his first steps in the world of classical music under the guidance of her grandmother Tatyana Hayrapetyan, a distinguished violin teacher, followed by his education at Komitas State Conservatory of Yerevan and Moscow State Tchaikovsky Conservatory.
Subsequently, in 2012, he furthered his academic journey at the Royal Academy of Music, studying under Sir Colin Davis. His studies under the guidance of Riccardo Muti and Valery Gergiev significantly influenced and enhanced his proficiency in conducting.
Sergey Smbatyan's conducting career was highlighted by his debut performance with the London Symphony Orchestra at Windsor Castle, under the auspices of Prince Charles, now HRH Charles III. The impressive success of this concert led to a subsequent invitation, where he conducted the Philharmonia Orchestra at Buckingham Palace.
Sergey Smbatyan's extensive international involvement as a conductor and his distinctive appreciation for contemporary classical music has led to a wide array of collaborations with globally acclaimed composers, such as Krzysztof Penderecki, Tigran Mansuryan, Arvo Pärt, Gia Kancheli, and many others. Among such notable endeavors were the large-scale projects conducted with John Malkovich in several countries of Latin America and Asia. Led by Sergey Smbatyan and accompanied by the Armenian State Symphony Orchestra, the iconic Hollywood artist delivered a unique musical performance in Yerevan, presenting a reading of excerpts from “The Book of Lamentations” by the medieval Armenian poet Grigor Narekatsi.
The conductor serves as the artistic director of a number of annual music festivals, as well as the Khachaturian International Competition, to which the category of conducting was introduced through Sergey Smbatyan's initiative. Among the festivals founded by Sergey Smbatyan are the Khachaturian International Festival, which aims to uphold the legacy of Aram Khachaturian and other famous Armenian composers, the "Armenia" International Music Festival, which hosts world-renowned virtuoso musicians to perform in Armenia, the Penderecki Contemporary Music Festival, which showcases the works of contemporary legendary composers, and others.
Sergey Smbatyan is the founder of the "Music for Future Foundation (M4FF)”, which is committed to discovering young talented musicians and fostering their career advancement.
He strives to champion innovative approaches in the classical music industry, consistently seeking creative ideas and solutions in implementing various projects. During the opening ceremony of "WCIT 2019," the largest IT Congress for innovators and entrepreneurs, hosted in Armenia, an international orchestra performed an AI real-time-composed musical piece under the direction of Sergey Smbatyan.
Sergey Smbatyan releases recordings with the Armenian State Symphony Orchestra on their own "ArmSymphony Records" label and is actively involved in recording contemporary classical music with the London Symphony Orchestra and other orchestras. His recent engagements include the album of spiritual music "Ave Maria" recorded with the Malta Philharmonic Orchestra and the world-renowned tenor Joseph Calleja, released under the "DECCA Records" label, the album “Aznavouriana” by Deutsche Grammophon with the Armenian State Symphony Orchestra and cellist Camille Thomas in commemoration of French-Armenian singer and composer Charles Aznavour’s 100th anniversary.
In recent concert seasons, Sergey Smbatyan has served as a guest conductor with leading orchestras, including the London Symphony Orchestra, the Philharmonia Orchestra, the Warsaw Philharmonic Orchestra, the Dresden Philharmonic Orchestra, the Israel Philharmonic Orchestra, the Prague Radio Symphony Orchestra, the Mariinsky Theater Symphony Orchestra, the Slovak Philharmonic Orchestra, and many others.
As the conductor of the Malta Philharmonic Orchestra, Sergey Smbatyan embarked on numerous concert tours and performed at prestigious venues such as Carnegie Hall in New York, the Kimmel Center in Philadelphia, the Munich’s Gasteig , Vienna’s Musikverein, the Berliner Philharmonie, and other renowned concert halls.
In 2023, he led the Armenian State Symphony Orchestra on a grand UK tour, dedicated to Aram Khachaturian’s 120th anniversary and in 2024 on the orchestra’s debut tour in the United States with the performances at Boston’s Symphony Hall, New York City’s Carnegie Hall, and Los Angeles Music Center’s Walt Disney Concert Hall.
Highlights of 2024/25 season include concerts with the Madrid Philharmonic Orchestra, the Ontario Philharmonic Orchestra, the Krakow Philharmonic Orchestra, and the Shanghai Philharmonic Orchestra as well as performances at Salle Gaveau and the Cité de la Musique of the Paris Philharmonie with the Armenian State Symphony Orchestra featuring French and Armenian composers.
Up until the 2024/25 season, Sergey Smbatyan will be Principal Guest Conductor of Berlin Symphony.
Sergey Smbatyan holds the title of Honoured Artist of the Republic of Armenia and the title of “Chevalier of Arts and Letters” of France.
Sergey Smbatyan was appointed as a UNICEF National Ambassador in 2023.
Viola | USA
Recipient of the Leonard Bernstein Award, First Prize Winner of the Walter E. Naumburg Viola Competition and the Avery Fisher Career Grant, David Aaron Carpenter is widely considered one of the most talented and charismatic musicians of his generation.
David is a former Rolex “Protégé” for which he was mentored by Pinchas Zukerman. David made his solo debut at the Kennedy Center after winning the Presidential Scholar Award and the first-ever Gold Medal Award at the National Foundation For Advancement In The Arts. Since then he has performed with leading musicians and orchestras around the world, from the Philadelphia Orchestra to the Philharmonia, the Dresden Staatskapelle to the Lucerne Symphony.
As a chamber musician, David has collaborated with such renowned artists as Yo-Yo Ma, Emanuel Ax, Sarah Chang, Leonidas Kavakos, Gidon Kremer, Alan Gilbert, Julian Rachlin, Dmitry Sitkovetsky, Jean-Yves Thibaudet, Jan Vogler, and Yuja Wang. He is a regular guest artist at the Verbier Music Festival, and was proud to be an integral part of their 20th anniversary season. He is currently the Artistic Director of the Salomé Chamber Orchestra, which he co-founded with his brother Sean and sister Lauren.
David received his Bachelor of Arts degree in Political Science and International Relations from Princeton University in 2008. David was featured in The New Yorker article “Musical Gold” by Rebecca Mead in July, 2014, on the cover of The Strad magazine in August 2013, and a few months earlier was the subject of a three-page article in The New York Times. Along with the Salomé Chamber Orchestra, David released his Warner Classics recording featuring Vivaldi, Piazzolla and Shor's Twelve Seasons. His newest release on Warner Classics features the Bartok, Walton, Shor and Dvorak Concertos with the London Philharmonic Orchestra under Maestros Vladimir Jurowski, David Parry, and Kazushi Ono.
David plays on a viola made by Michele Deconet, Venice (1766).
Piano | South Korea
Yeol Eum Son’s graceful and timeless interpretations, crystalline touch and versatile, thrilling performances have caught the attention of audiences worldwide. Praised for her widely eclectic concerti repertoire, ranging from Bach, all-Mozart, early German and Russian Romantic to Gershwin and Ligeti, Yeol Eum has collaborated with major ensembles worldwide such as Gürzenich-Orchester Köln, Konzerthausorchester Berlin, Dresdner Philharmoniker, The Tonkunstler Orchestra at the Grafenegg Festival, Bergen Philharmonic, Orchestre Philharmonique de Radio France, Orchestre de la Suisse Romande, Seoul Philharmonic, St. Petersburg Philharmonic and Moscow Virtuosi among many others.
Yeol Eum performs with conductors such as Dmitri Kitayenko, Valery Gergiev, Vasily Petrenko, Vladimir Spivakov, Andrew Manze, Susanna Mälkki, Omer Meir Wellber, Cristian Măcelaru, Pietari Inkinen, Jonathan Nott, Mikko Franck, Nicholas Collon, Joshua Weilerstein, Joana Carneiro, Pablo González, Case Scaglione, Roberto González-Monjas and Yan Pascal Tortelier.
Across the 20/21 season Yeol Eum serves as Artist in Residence with the Residentie Orkest from the Hague. In front of the Dutch audience and under the baton of conductors Nick Collon, Pablo González and Joshua Weilerstein, Yeol Eum presents a selection of some of the finest concerti of the piano repertoire including Mozart's Piano Concerto No. 17, Beethoven's Piano Concerto No.4, Chopin's Piano Concerto No. 2 and Ravel's Piano Concerto in G. Beyond Zuiderstrandtheater in the Hague, her residency will take her to some of the major venues across the Netherlands including Amsterdam's Concertgebouw, Apeldoorn's Orpheus and Utrecht's TivoliVredenburg, Yeol Eum also gives a recital at the Hague's Nieuwe Kirk and a Masterclass at the Hague's conservatory.
In summer 2019 Yeol Eum made her Royal Albert Hall and BBC Proms debut with the BBC Philharmonic interpreting Mozart’s Piano Concerto No. 15. Her most recent debut with the Liverpool Philharmonic (Beethoven’s Emperor Concerto) was met with high acclaim for which Johanna Roberts wrote: Yeol Eum Son throughout demonstrated the technical excellence partnered with lyrical sensitivity that have made her one of the most sought-after concert pianists in a virtuoso performance that was much appreciated by the audience. During her recent UK tour with the Iceland Symphony Orchestra, Yeol Eum returned to London’s Cadogan Hall and debuted at Edinburgh’s Usher Hall and at Basingstoke’s the Anvil Concert Hal (Ravel’s Piano Concerto for the left hand). Following her hugely successful debut with Aurora orchestra earlier in 2019, Yeol Eum © 2017 IMG Artists; Please do not make alterations to this biography without contacting IMG Artists. was instantly re-invited and features as a soloist on their March 2020 tour under Nick Collon (Mozart Piano Concerto No.23) with concerts taking place at King’s Place in London as well as at St George’s concert hall in Bristol and at the Apex concert hall in Bury St Edmunds. Yeol Eum subsequently makes her debut with Aurora Orchestra at the opening of the Heidelberger Frühling festival.
A distinguished Mozart interpreter, in the recent concert seasons, Yeol Eum made major UK debuts with the CBSO in Birmingham (Mozart’s Piano Concerto No 21) and at London’s Cadogan Hall with the Academy of St. Martin in the Fields (Mozart’s Piano Concerti No’s 8 & 21). Her London debut coincided with Onyx CD release of a highly acclaimed all-Mozart recording featuring Mozart’s Piano Concerto No.21 with the Academy of St Martin in the Fields under Sir Neville Marriner for whom it was the very last recording. According to The Times Yeol Eum Son is a model of clarity and fleetness whilst Gramophone called the recording an uncommonly fine Mozartian debut.
Further concerti debuts across the 19/20 season and beyond include collaborations with Budapest Festival Orchestra (Rachmaninov No. 2); West Australian Symphony Orchestra (Mozart No. 21); New Zealand Symphony Orchestra (Mozart No. 27); St Paul Chamber Orchestra (play-direct of Beethoven No.4); Bournemouth Symphony Orchestra (Beethoven No.4); Liège Philharmonic (Gershwin Rhapsody in Blue and Variations on I got Rhythm); Helsinki Philharmonic (Yashiro Piano Concerto); WDR Symphony Orchestra Cologne at the RadiRo Festival in Bucharest (Rachmaninov No. 2); Philharmonie de Paris debut with Orchestre National d'Île-de-France (Rachmaninov No.2); RTVE Symphony Orchestra (Szymanowski Sinfonia Concertante) and a tour of Belgium with the Flanders Symphony Orchestra (Liszt No.1). Following her previous successful collaborations, Yeol Eum returns to Gävle Symphony Orchestra (Chopin No.2), Bergen Philharmonic (Rachmaninov No.2), Gürzenich Orchestra Cologne (Prokofiev No.2) and Deutsche Radio Philharmonie Saarbrücken (Prokofiev No.3).
A sensitive, emotional and powerful recitalist, Yeol Eum gives frequent solo and chamber performances across the globe. Most recent recitals include debuts with San Francisco Chamber Music Society, The Phillips Collection in Washington DC, Helsingborg Piano Festival, International Piano Series Fribourg, Istanbul Recitalleri, Moscow's House of Music, Welsh debut at the Royal Welsh College of Music and Drama and Scottish recital debut at the East Neuk Festival for which The Scotsman presides Yeol Eum for having found that vital emotional connection with the music and physically embracing its raw energy and dynamic extremes with ferocious virtuosity. In the 19/20 season and beyond Yeol Eum makes recital debuts in Luzerne's KKLSaal, Bern's Paul Klee Centre, Porto's Casa da Música, Belgrade's Kolarac Concert Hall and at the Tallin Piano Festival.
An avid chamber musician, in 2018 Yeol Eum was appointed Artistic Director of Music in PyeongChang, the biggest music festival in her native Korea. Yeol Eum is responsible for programming both summer and winter festivals at the Olympic site in PyeongChang. Further chamber highlights in 2020 include appearances at Philharmonie Cologne for collaborations with the principle players from WDR Symphony Orchestra Cologne (Beethoven’s Piano Concerto No. 4 arranged for Piano and String Quintet) and with Quatuor Modigliani. © 2017 IMG Artists; Please do not make alterations to this biography without contacting IMG Artists. Yeol Eum’s new releases include two DECCA albums: recital CD Modern Times- featuring solo piano music written between 1910-1920 by Berg, Prokofiev, Stravinsky and Ravel, and Schumann and Brahms CD with violinist Clara-Jumi Kang. Previous albums include debut CD of complete Chopin Etudes (2004); Chopin Nocturnes for Piano and Strings (2008); prize-winning Cliburn Competition live performance (2009) and a multi-channel SACD O’ New World Music (2012).
Yeol Eum is Honorary Ambassador of the Seoul Arts Center and her home city of Wonju. A double Second Prize winner at the Tchaikovsky International Piano Competition in 2011 and at the 13th Van Cliburn International Piano Competition in 2009, Yeol Eum Son was a student of Arie Vardi at the Hochschule für Musik Theater und Medien Hannover in Germany, where she now lives. She holds a degree from the Korean National University of Arts.
Violin | Monaco
Universally hailed as one of the world’s finest musicians, and often referred to as the greatest living string player in the world today, Grammy award winner Maxim Vengerov also enjoys international acclaim as a conductor and is one of the most in-demand soloists.
Born in 1974, he began his career as a solo violinist at the age of five, won the Wieniawski and Carl Flesch international competitions at ages 10 and 15 respectively, studied with Galina Tourchaninova and Zakhar Bron, made his first recording at the age of 10, and went on to record extensively for high-profile labels including Melodia, Teldec and EMI, earning among others, Grammy and Gramophone artist of the year awards.
In 2007 he followed in the footsteps of his mentor, the late Mstislav Rostropovich, and turned his attention to conducting and in 2010 was appointed the first chief conductor of the Gstaad Festival Orchestra. June 2014 saw Mr Vengerov graduate with a Diploma of Excellence from the Moscow Institute of Ippolitov-Ivanov with professor Yuri Simonov and he has since finished a further 2-year program of opera conducting.
Highlights of recent seasons saw Mr Vengerov opening the season of the Orchestra Filarmonica della Scala with Maestro Chailly, a Residence with Monte Carlo Philharmonic and the Philharmonie in Paris as well as a world wide recital tours. Highlights of the 22/23 season saw him in an extensive US and Canadian recital tour including Berkeley, Kansas City, New York and Toronto, and an 11 concerts tour in the UK. Other orchestral performances as a soloist include Montreal, Vienna, London, Paris and Taiwan and chamber music concerts with Evgeny Kissin and Stephen Isserliss at Carngie Hall, and in Switzerland with Simon Trpcesky and Stephen Isserliss. He also joined Aspen and Bravo Vale Festival in the States this summer in Recital, Masterclasses and Concerto performance with Fabio Luisi and the Dallas SO and celebrated 40 years on stage at the Royal Albert Hall in a big gala concert in April 2023. In 2023/24 he will open the Shanghai International Festival with Christoph Eschenbach, will embarque on another world wine Recital tour including America, South America, Europe, Asia and Australia and will perform orchestra concerts in amongst others in Vienna, Paris and Milan.
In 2020 Maxim Vengerov became Classic FM’s first solo Artist in Residence and released a new recording of Tchaikovsky's Violin Concerto with conductor Myung-Whun Chung and the Orchestre Philharmonique de Radio France, coupled with works by Saint-Säens and Ravel as well as a live recital from Carnegie Hall.
As one of Mr Vengerov’s greatest passions is the teaching and encouraging of young talent, he has held various teaching positions around the world. He currently holds the Stephan and Viktoria Schmidheiny Stiftungsprofessor at the Mozarteum University Salzburg and since September 2016 he is also the Polonsky Visiting Professor of Violin at the Royal College of Music in London. In 2018 Maxim Vengerov became the Goodwill Ambassador of the Musica Mundi School - a unique institution, which supports young talents. With the vision of democratising the access of music learning, he launched his own online platform in January 2021:www.maximvengerov.com and created an impact across 170 countries and over 190 million reach. His first year programs include partnerships with musical institutions from around the world, the Lottery Ticket program, guest artist series inaugurated with Brett Yang from TwoSet Violin, as well as his new global community group who’s initiatives include the world leading Mentoring program, rural musical communities initiative and the Musical Pen Pals program for children.
Mr Vengerov has been profiled in a series of documentaries, including Playing by Heart, which was recorded by Channel Four Television and screened at the Cannes Television Festival in 1999, and Living the Dream, which was released worldwide and received the Gramophone Award for Best Documentary in 2008.
Mr Vengerov has received prestigious fellowships and honours from a number of institutions. In 2012 he was awarded an Honorary Visiting Fellowship at Trinity College Oxford and in 2019 he received an Honorary Doctorate from the Royal College of Music London and in 2019 he received an Honorary Doctorate from the Royal College of Music London and the Order of Cultural Merit from the Palace Monte Carlo.
Mr Vengerov has also received numerous awards including Grammy Award for Best Instrumental Soloist Performance (with Orchestra) (2003), two Gramophone awards (1994, 1995), a Classical Brit Award (2004), five Edison Classical Music Awards (1995, 1996, 1998, 2003, 2004), two ECHO awards (1997, 2003) and a World Economic Forum Crystal award (2007) - honouring artists who have used their art to improve the state of the world.
He plays the ex-Kreutzer Stradivari (1727).
Violin | South Korea · Germany
Violinist Clara-Jumi Kang is an artist of supreme musicality, impeccable refinement and poise as borne out by the many awards and accolades she has received, since she first burst on the scene as winner of the Indianapolis International Violin Competition in 2010, hot on the heels of her successes at the Seoul Violin Competition (2009) and the Sendai Violin Competition (2010). Her cycle of Beethoven Violin Sonatas with pianist Sunwook Kim, released on Accentus last season, has received outstanding reviews and been nominated for an Opus Klassik Award 2022 (Instrumentalist of the Year).
Recent and current highlights include her debut at the BBC Proms with the BBC National Orchestra of Wales under Ryan Bancroft performing the Mendelssohn Violin Concerto, tours with the Munich Philharmonic and BBC Philharmonic under Myung-whun Chung and Juanjo Mena respectively, and performances with the Royal Stockholm Philharmonic Orchestra, the City of Birmingham Symphony Orchestra, and the Deutschekammerphilharmonie Bremen. In 2023 she will also tour Australasia for performances with the Melbourne Symphony, Auckland Philharmonic, West Australian Symphony Orchestra and KBS Symphony Orchestra.
She made her concerto debut in Hamburg at the age of five and has since performed with orchestras including the Leipzig Gewandhausorchester, Rotterdam Philharmonic, Orchestre de la Suisse Romande, Orquesta Sinfónica de RTVE, Vienna Chamber Orchestra, Mariinsky Orchestra, Warsaw Philharmonic, and the Belgian National Orchestra with conductors such as Chung, Xavier-Roth, Petrenko, Paavo Järvi, and Yamada.
Further afield, her performances have taken her to the USA with the Atlanta, New Jersey, Indianapolis and Santa Fe Symphony Orchestras, as well as Asia with the NHK Symphony Orchestra, Tokyo Metropolitan Symphony Orchestra, New Japan Philharmonic, Taipei Symphony and the Seoul Philharmonic Orchestras. She was selected as one of the top 100 'Most promising and influential people of Korea' in 2012 by major Korean newspaper Dong-A Times, and was awarded the Daewon Music Award (2012) for her outstanding international achievements, as well as Kumho Musician of the Year (2015).
Kang has recorded two albums for Decca: Modern Solo, featuring works including Schubert Erlkönig and Ysaÿe Sonatas, and a Brahms/Schumann album with Yeol-Eum Son. A dedicated chamber musician, she is a member of the Spectrum Concerts series at the Berlin Philharmonie and a regular visitor to festivals across Asia and Europe.
Born in Germany to a musical family, Clara-Jumi Kang took up the violin at the age of three and a year later enrolled as the youngest ever student at the Mannheim Musikhochschule. She went on to study with Zakhar Bron at the Lübeck Musikhochschule and at the age of seven was awarded a full scholarship to the Julliard School to study with Dorothy Delay. She took her Bachelor and Masters degrees at the Korean National University of Arts under Nam-Yun Kim before completing her studies at the Munich Musikhochschule with Christoph Poppen.
Intermusica represents Clara-Jumi Kang worldwide, excluding Spain, South Korea & Japan.
Cello | France · Belgium
Optimism, vitality and joyful exuberance are elements of Camille Thomas’s rich and compelling personality. The young Franco-Belgian cellist, who signed an exclusive contract with Deutsche Grammophon in April 2017, understands art’s power to bring people together, to unite individuals from diverse cultures, countries and backgrounds. Her charismatic artistry is driven by a passion for life and a desire to inspire others to open their hearts to the wonder and emotion of classical music. “I strongly believe that music has the power to enlarge the heart, to make you feel everything with more intensity,” she says. “Music gives hope for the beauty and greatness of the human soul.”
Highlights of the 2022/2023 season are concerts with the BBC National Orchestra of Wales with Fazil Say Cello Concerto "Never Give Up", Houston Symphony Orchestra, Malta Philharmonic Orchestra, Belgium National Orchestra, Staatsphilharmonie Nürnberg, Qatar Philharmonic Orchestra, Prague Symphony Orchestra, Lithuanian National Philharmonic, Hyogo PAC Orchestra. Together with the Metamorphosen Berlin Ensemble, Camille Thomas will be on tour in Europe.
Voice of Hope, her second DG album, was released in June 2020. At its heart is the world premiere recording of Fazil Say’s Concerto for Cello and Orchestra ‘Never Give Up’, the composer’s response to terrorist attacks on Paris and Istanbul, written expressly for Thomas, who gave its world premiere performance in Paris in April 2018. It is the first classical album recorded in partnership with UNICEF, reflecting the cellist’s desire to help others through her music.
Camille Thomas was born in 1988 in Paris. She began playing cello at the age of four and made such rapid progress that she was soon taking lessons with Marcel Bardon. She moved to Berlin in 2006 to study with Stephan Forck and Frans Helmerson at the Hanns Eisler Hochschule für Musik, and continued her training in the form of postgraduate lessons with Wolfgang-Emanuel Schmidt at the Franz Liszt Hochschule für Musik in Weimar.
Camille is conquering the world stage at a staggering pace. She has already worked with such conductors as Paavo Järvi, Mikko Franck, Marc Soustrot, Darrell Ang, Kent Nagano, Stéphane Denève and with orchestras such as the Deutsche Kammerphilharmonie Bremen, Academia Santa Cecilia, the Sinfonia Varsovia, Staatsorchester Hamburg in the Elbphilharmonie, the Lucerne Festival Strings in the Herkulessaal in Munich, the Orchestre National de Bordeaux, and Brussels Philharmonic.
Camille Thomas plays the famous ‘Feuermann’ Stradivarius 1730 as a loan from the Nippon Music Foundation
Conductor | UK
Described by The London Times at his 1975 piano recital debut as having ‘all the attributes of one of the world’s greatest players’, Papadopoulos has gone on to enjoy an international career both as pianist and conductor.
He has appeared as soloist with and conducted many of the world’s greatest orchestras and worked with a host of eminent musicians including Vladimir Ashkenazy, Anne-Sophie Mutter, Janine Jansen, Evgeny Kissin, Maxim Vengerov, Martha Argerich and Lang Lang. His recordings of the Beethoven sonatas have been set on a level with Schnabel, Brendel, Barenboim and Wilhelm Kempff.
A prolific recording artist, Papadopoulos’s catalogue includes his critically acclaimed Beethoven sonatas, performances of Stravinsky’s Concerto with the Royal Philharmonic Orchestra and the 24 Preludes and Fugues by Shostakovich. He conducts the Oxford Philharmonic in recordings of the Brahms and Sibelius violin concertos with Maxim Vengerov as soloist. As a pianist, he and Vengerov have recorded the complete Brahms violin sonata.
In the summer of 2021, Papadopoulos published his first book – a memoir titled Beyond Dreams and Aspirations: My Journey to Oxford which charts his early career, the creation of the Oxford Philharmonic Orchestra, and his thoughts on musical interpretation.
Papadopoulos is dedicated to nurturing young talent and imparts knowledge to young artists through his vast experience, particularly during the annual Oxford Piano Festival which he founded in 1999. He served on the jury of the Leeds International Piano Competition in 2015, as well as that of the Henryk Wieniawski Violin Competition in 2016.
Marios Papadopoulos holds a doctorate in music and is a Fellow of Keble College, Oxford. In 2010 and was awarded Oxford City’s Certificate of Honour and in 2014 he was awarded an MBE in the Queen’s New Year’s Honours List for services to music in Oxford.
Cello | Armenia · UK
Now regarded as one of the finest cellists of the younger generation, Alexander Chaushian has performed extensively throughout the world as a soloist with orchestras such as the Royal Philharmonic Orchestra, the Philharmonia, the Academy of St Martin-in- the-Fields, The London Mozart Players, The Vienna Chamber Orchestra, Orchestre de la Suisse Romande, The Boston Pops and The Armenian Philharmonic, and has given highly acclaimed performances in such venues as London’s Royal Festival Hall, Queen Elizabeth Hall and Wigmore Hall, Sala Verdi Milan, Konzerthaus Vienna, Suntory Hall Japan, the main Carnegie Hall New York, and Symphony Hall Boston.
He performs regularly in festivals throughout the world and is the Artistic Director of the International Pharos Chamber Music Festival in Cyprus and the Yerevan Music Festival in Armenia.
After initial studies in Armenia, Alexander Chaushian studied in the UK at the Menuhin School and the Guildhall School, London. He then pursued advanced studies at the Hochschule Berlin, graduating with distinction in 2005. He is a laureate prize winner of many international competitions including the 12th International Tchaikovsky Competition in Moscow and the ARD Competition in Germany. As an alumnus of Young Concert Artists, New York, he toured extensively in the USA. Amongst the many distinguished musicians whom he has collaborated with are Yehudi Menuhin, Julia Fischer, Levon Chilingirian, Yuri Bashmet, Diemut Poppen, François-Frédéric Guy, Emmanuel Pahud. His regular chamber music partner is Yevgeny Sudbin.
Alexander’s recordings include several highly acclaimed CDs for the BIS label in which he is partnered by Yevgeny Sudbin, and his recently released concerto CD with the Armenian Philharmonic Orchestra, also on BIS, received rave reviews and was selected ‘Album of the Week’ by the Independent. His many concerts during this season include performances in France, Italy, Switzerland, Brazil, China and Japan.
“Alexander Chaushian firmly establishes himself in the echelons of international cellists” — The Strad
Piano | UK
Described as an ‘endlessly fascinating artist’, Ashley Wass’s musical career is one of unusual creativity and variety. Alongside his work as soloist and chamber musician, he is co-founder of Mash Productions, was Artistic Director of the Lincolnshire International Chamber Music Festival for eleven years, has devoted over 15 years to music education, and is currently the Director of Music at the Yehudi Menuhin School. The diverse list of people and organisations with whom he has collaborated include film festivals, art galleries and animators, children’s television presenters and stars of the stage and screen, illustrators, literary festivals and renowned authors, and mime artists and comedians.
Ashley began playing the piano at the age of five, and studied music at Chetham’s School of Music from age 11. In his teens he studied on a scholarship at the Royal Academy of Music, where his teachers included Christopher Elton, Maria Curcio and Hamish Milne. His watershed moment came in 1997 when he won the London International Piano Competition (the only British winner this far), a success that led to a recording contract with Naxos, making him the first solo artist to obtain an exclusive deal with the label. His debut recording was a highly praised CD of César Franck piano music, released in 1999. He was also a prizewinner at the Leeds Piano Competition, and is a former BBC Radio 3 New Generation Artist.
Ashley has performed at many of the world’s finest concert halls, including the Wigmore Hall, Carnegie Hall and the Vienna Konzerthaus. He has performed regularly as soloist with all of the BBC orchestras, the Philharmonia, Orchestre National de Lille, Vienna Chamber Orchestra, Slovak Philharmonic, Hong Kong Philharmonic, RLPO, and Bournemouth Symphony under the baton of conductors such as Simon Rattle, Osmo Vanska, Donald Runnicles, Ilan Volkov and Vassily
Sinaisky.
He appeared alongside the likes of Sir Thomas Allen, Mstislav Rostropovich and Angela Gheorghiu in a gala concert at Buckingham Palace to mark the Golden Jubilee of Queen Elizabeth II, a performance broadcast live to millions of viewers around the world. He made his BBC Proms debut in 2008 with Vaughan Williams’ Piano Concerto, and returned in following seasons to perform works by Foulds, Stravinsky, Antheil, and McCabe.
Recent highlights have included a debut at the Melbourne Recital Centre, acclaimed performances with the BBC Scottish Symphony Orchestra and BBC NOW, and a tour to South America, as well as an extensive solo recital tour with a programme of music inspired by Shakespeare.
Renowned for a broad and eclectic repertoire, Ashley has received great critical acclaim for his recordings of music from a wide range of styles and eras, with glowing reviews of his interpretations of composers such as Liszt, Franck, Beethoven, and Bridge. His survey of Bax’s piano music was nominated for a Gramophone Award and his discography boasts a number of Gramophone ‘Editor’s Choice’ recordings and BBC Music Magazine ‘Choices’.
Much in demand as a chamber musician, Ashley is a frequent guest of international festivals such as Pharos (Cyprus), Bath, Ako (Japan), Cheltenham, Kuhmo, Mecklenburg, Gstaad, City of London, and Ravinia and Marlboro in the USA, playing solo recitals and chamber works with musicians such as Mitsuko Uchida, Sarah Chang, Steven Isserlis, Emmanuel Pahud, Maxim Rysanov, Richard Goode and members of the Guarneri Quartet and Beaux Arts Trio. He is also a co-founder of Trio Apaches, alongside the violinist Matthew Trusler and the cellist Thomas Carroll. The group has broadcast frequently on BBC Radio 3, including Beethoven’s Triple Concerto with the BBC NOW, and is renowned for its imaginative programming and engaging stage presence.
A long-standing collaboration with Matthew Trusler has been particularly rewarding and in 2016 they co-founded Mash Productions, a production company that is focused on realising innovative and ambitious projects. Together they have commissioned over a dozen new works from some of the world’s leading composers, produced a series of musical plays, worked with illustrators and animators to create a number of short films set to music, collaborated with Carl Davis and the Chaplin Foundation on a show about the life and music of Charlie Chaplin, and curated a number of mini-festivals for leading arts organisations around the UK. Their acclaimed series for children - Musical Myths - which combines their own specially written scripts with great pieces of classical music has been toured and performed to thousands of children by orchestras around the UK and Europe, including the Bournemouth Symphony, Opera North, Southbank Sinfonia and the Lahti and Latvian Symphony orchestras.
Ashley Wass was the Artistic Director of the Lincolnshire International Chamber Music Festival from 2007-2018 and helped develop the festival into one the UK’s leading events of its type, with with sold-out performances of challenging and diverse repertoire, and regular broadcasts on BBC Radio 3.
Music education is a central focus of Ashley’s professional life. He was Professor of Piano at the Royal College of Music from 2008-2018, Deputy Head of Keyboard Studies at the Royal Northern College of Music from 2018-2020, and is currently the Director of Music of both the Yehudi Menuhin School in the UK and its sister school in Qingdao.
Violin | Belgium
Belgian violinist of Russian heritage, Mr. Bouchkov is a sophisticated musician of impeccable aplomb and has carved an international career performing with leading orchestras and conductors across Europe. He is one of the most multifaceted and unique artists of the new generation. His orchestral appearances include performances with the Mariinsky Theater Symphony Orchestra and Valery Gergiev, the HR-Sinfonieorchester and Christoph Eschenbach, the Royal Concertgebouw Orchestra and Mariss Jansons, the Munich Philharmonic Orchestra and Philippe Jordan. He has also appeared with the NDR-Sinfonieorchester Hamburg, Hessische Rundfunk Orchestra, Tonhalle Orchester Zürich, the Orchestre National de Belgique, the Orchestra Sinfonica Nazionale RAI in Turin, the Stavanger Symphony Orchestra, the Royal Philharmonic Orchestra of Liège, the Moscow Philharmonic Orchestra, the Orchestra di Milano Giuseppe Verdi, and the Verbier Festival Chamber Orchestra among others, collaborating with conductors such as Stanislav Kochanovsky, Michael Sanderling, Andrey Boreyko, Nikolaj Szeps-Znaider, Dmitry Liss, Christian Arming, Lionel Bringuier, Maxim Vengerov, James Judd, to name but a few.
As an active recitalist, Mr. Bouchkov has performed in many of the world’s most prestigious concert halls such as Wigmore Hall, Carnegie Hall, Amsterdam’s Concertgebouw, Elbphilharmonie Hamburg, Dresden Frauenkirche, Concert Hall of St. Petersburg, Tonhalle Zürich, Munich’s Prinzregententheater, Paris’ Theatre de la Ville, Maison de Radio France, and the Konzerthaus in Berlin among several other venues. A fine chamber musician, he is a regular guest of the Verbier Festival in Switzerland.
Highlights of Mr. Bouchkov’s 2020/2021 season included appearances with Valery Gergiev and the orchestra of the Mariinsky Theater, Philippe Jordan and the Munich Philharmonic, Nikolaj Szeps-Znaider and the Brussels Philharmonic Orchestra, Stanislav Kochanovsky and the Hessische Rundfunk Orchestra, Gábor Takács-Nagy and the Verbier Festival Orchestra, as well as recitals and concerts at the Elbphilharmonie Hamburg, Konzerthaus in Berlin, and the Schubertiade in Hohenems. After a bunch of very successful concerts at the Verbier Festival 2021 in Switzerland, and in Montenegro and Greece, Mr. Bouchkov performed with pianist Mao Fujita in Latvia, at the Riga Jurmala Music Festival, and in Georgia at the Tsinandali Festival, where he played five different programs including performances with the pianist and conductor Lahav Shani and with cellist Mischa Maisky. In Autumn 2021 he was invited to perform at the Concertgebouw in Amsterdam with the Netherlands Philharmonic Orchestra under the baton of Ludovic Morlot, followed immediately after by an invitation to be ‘artist in residence’ of the orchestra in 2022/2023. During the season 2021/2022 he will appear again with the Mariinsky Theater Symphony Orchestra and Valery Gergiev at the Philharmonie de Paris, and with the Orchestra National de Lille, the Belgrade Philharmonic Orchestra, the Orchestre Philharmonique Royal de Liège, Orchestre de l’Opéra National de Lorraine, among others.
Marc Bouchkov’s first recording by Harmonia Mundi is of special significance since it includes two world première pieces by Eugéne Ysaÿe, and two works composed by himself. The album was awarded a Diapason d’Or and a Diapason Découverte as well as nominated for the ICMA 2018 and received tremendous acclaim on Gramophone reviews. The English magazine featured him as “One to Watch “.
Marc Bouchkov’s artistic development has been marked by a string of international awards. He won the first prize at the Montreal International Violin Competition and he is a silver medallist of the Tchaikovsky International Violin Competition. He received the London Music Masters Award, and recently, he has been honored with the music prize of the Kulturstiftung Dortmund.
Marc Bouchkov was born into a family of violinists. He received his first lessons at the age of five from his grandfather. Studies with Claire Bernard and Boris Garlitsky followed. With Mihaela Martin, Marc developed as a Young Soloist in a postgraduate course at the Kronberg Academy. Since October 2018 he is under the musical tutorship of Eduard Wulfson.
Mr. Bouchkov currently serves as professor on the faculty of the Conservatoire Royale de Liège (BE) and the International Music Academy in Liechtenstein. From 2017 to 2019 he taught at the Kronberg Academy (DE) as Artistic Assistant.
Marc Bouchkov plays a Carlo and Michelangelo Bergonzi violin from 1742-44 as a private loan on behalf of Edwulstrad RMIC Ltd.
Piano | South Korea
Gold medallist of the Fifteenth Van Cliburn International Piano Competition, Yekwon Sunwoo has been hailed for his “unfailingly consistent excellence” (International Piano) and celebrated as “a pianist who commands a comprehensive technical arsenal that allows him to thunder without breaking a sweat” (Chicago Tribune). A powerful and virtuosic performer, he also, in his own words, “strives to reach for the truth and pure beauty in music”.
The first Korean to win Cliburn Gold, Yekwon’s 19/20 season includes appearances with Fort Worth and Tuscon Symphonies and the Bucheon Philharmonic and debuts with Washington Chamber Orchestra, Royal Danish Orchestra and Danish Radio Orchestra amongst others as well as a debut appearance at the Vail Festival with Dallas Symphony. Recital highlights include Four Season Arts, San Antonio Arts and the Stadttheater Aschaffenburg. 20/21 will see Yekwon make his debut with Orchestra Chambre de Paris and Tugan Sokhiev and return to KBS Symphony with Jaap Van Zweeden.
In previous seasons, he has performed as soloist with the Baltimore Symphony Orchestra under Marin Alsop, Houston Symphony, National Orchestra of Belgium, Sendai Philharmonic and Royal Scottish National Orchestra amongst others. Recital appearances include Carnegie Hall, Wigmore Hall, Elbphilharmonie, Salle Cortot and Kumho Art Hall.
An avid chamber musician, Yekwon’s collaborators include Benjamin Beilman, Linus Roth, Andrei Ioniță, Sebastian Bohren, Isang Enders, Tobias Feldmann, Gary Hoffman, Anne-Marie McDermott and the Jerusalem and Brentano Quartets. He has also toured Costa Rica, Guatemala and Panama with the Kumho Asiana Cultural Foundation, performed at Chamber Music of Lincoln Center’s Inside Chamber Music Lectures and been invited to the Summit Music, Bowdoin International and Toronto Summer Music Festivals.
In addition to the Cliburn Gold Medal, Yekwon won first prizes at the 2015 International German Piano Award, the 2014 Vendome Prize held at the Verbier Festival, the 2013 Sendai International Music Competition and the 2012 William Kapell International Piano Competiton.
Born in Anyang, South Korea, Yekwon began learning the piano at the age of 8 and made his recital and orchestral debuts in Seoul at 15. His teachers include Seymour Lipkin, Robert McDonald, Richard Goode and Bernd Goetzke.
In 2017, Decca Gold released Cliburn Gold 2017 two weeks after Yekwon was awarded the Gold Medal and includes his award-winning performances of Ravel’s La Valse and Rachmaninov’s Second Piano Sonata.
A self-proclaimed foodie, Yekwon enjoys finding Pho in each city he vists and takes pride in his own homemade Korean soups.
Piano | France
Frank Braley was born in 1968, and began his piano studies at the age of four. Six years later he gave his first concert with the Orchestre Philharmonique de Radio France in Paris, Salle Pleyel. In 1986 he decided to devote himself entirely to music and abandoned his studies in science. He entered the Conservatoire National Supérieur de Musique de Paris and was awarded unanimously first prizes for piano and chamber music three years later. In 1991, at the age of 22, he took part in an international competition for the first time: the Queen Elizabeth Competition of Belgium where he won the First Grand Prize. Public and press unanimously recognise him as a pianist with exceptional musical and poetic qualities.
Since then, Frank Braley has been regularly invited to Japan, Canada, the United States, and all over Europe, to play with such orchestras as the London Philharmonic, Leipzig Gewandhaus, Orchestre de la Suisse-Romande, Orchestra della Swizzera Italiana, Zurich Chamber Orchestra, Philharmonique de Radio France, Orchestre National de France, Orchestre de Paris, Bordeaux, Lille, Montpellier and Toulouse Orchestras, Berlin Radio Orchestra, Orchestre National de Belgique, Liège Orchestra, Orchestre Philharmonique du Luxembourg, Rotterdam Philharmonic, Residentie Den Haag Orchestra, Göteborg Symphony, Copenhagen Royal Orchestra, Tokyo Philharmonic, BBC Wales Orchestra, the Royal Scottish Orchestra, the Berliner Sinfonie-Orchester, the Boston Symphony, the Baltimore Symphony orchestra, the Seattle Symphony Orchestra, Los Angeles Philharmonic Orchestra under Jean-Claude Casadesus, Stéphane Deneve, Charles Dutoit, Hans Graf, Gunther Herbig, Christopher Hogwood, Eliahu Inbal, Marek Janowski, Armin Jordan, Sir Neville Marriner, Kurt Masur, Sir Yehudi Menuhin, Antonio Pappano, Michel Plasson, Yutaka Sado, Michael Schonwandt, Walter Weller…
Frank Braley toured all over the world: in China with the Orchestre National de France under Charles Dutoit, Japan and China with the Orchestre du Capitole de Toulouse under Michel Plasson, with the Orchestre Français des Jeunes under Emmanuel Krivine in France and Italy, and again Italy with the Orchestra di Padova e del Veneto. He gave recitals with violinist Renaud Capuçon (Amsterdam, Athens, Birmingham, Firenze, Ferrara, New York, Washington, Paris, Vienna).
Frank also takes part in special projects, such as Beethoven’s Piano Sonatas Cycles (La Roque d’Anthéron, Paris, Bordeaux, Nantes, Grenoble, Rome, Tokyo and Brazil).
He played in recital in Paris, Londres, Amsterdam, Bruxelles, Hanovre, Ferrare, in duo with Renaud Capuçon in Amsterdam, Athens, Birmingham, Brussels, Rome, Florence, Trieste, New York, Washington, Paris, Vienna… His chamber music partners are Renaud and Gautier Capuçon, Maria Joao Pires, Augustin Dumay, Paul Meyer, Gérard Caussé, Eric Le Sage, Emmanuel Pahud, Mischa Maisky, Yuri Bashmet…
For Harmonia Mundi he has recorded Schubert’s Sonata in A Major D. 959 and Klavierstücke D. 946 (for which he received the Diapason d’Or and has been compared to Claudio Arrau, Alfred Brendel, Radu Lupu, Andras Schiff…), Richard Strauss’ works for solo piano, Beethoven’s Sonatas Clair de lune op.27 n°2, Appassionata op. 57 and op. 110, Gershwin’s complete piano music. For BMG : Poulenc’s Double Concerto with Eric Le Sage (Diapason d’Or). For Naïve DVD Liszt- Debussy-Gershwin (Choc – Monde de la Musique). For Warner/Erato, he has recorded Ravel’s Chamber music with Renaud and Gautier Capuçon, Saint Saens’ Carnaval des Animaux and Schubert’s Trout, Schubert’s Trios with Renaud and Gautier Capuçon, Hungarian Dances with Nicholas Angelich.
After a Schubert/Debussy/Britten/Carter release, Frank Braley Frank and Gautier Capuçon recorded Beethoven's complete Sonatas for Cello and Piano. (Erato, 2016). Latest release: Beethoven's 'Ghost' and 'Archduke' piano trios with Renaud and Gautier Capuçon. (Erato, Febuary 2020)
Frank Braley teaches at the Paris Conservatory and is the Music Director of the Belgium Orchestre Royal de Chambre de Wallonie.
Piano | France
Winner of the prestigious Cleveland International Piano Competition 2016, pianist Nikita Mndoyants was able to convince with his elegance, his technical prowess and the transparency of his playing. In 2007, the young Nikita also won First Prize at the Paderewsky International Piano Competition Poland. Nikita Mndoyants, trained at the Tchaikovsky Conservatory in Moscow, has performed under the direction of renowned conductors such as Charles Dutoit, Leonard Slatkin, Dmitry Sitkovetsky, Vassily Sinaisky or Mario Venzago. He has performed with the Cleveland Orchestra, the “Evgeny Svetlanov” State Academic Symphony Orchestra, the Saint Petersburg Philharmonic Orchestra, the Orchestra de Mulhouse, the Philharmonie de Strasbourg and many more. . In recital, he has traveled to the greatest stages in the world and was applauded in particular at Carnegie Hall in New York, at the Tchaikovsky Hall in Moscow, at the Salle Cortot and at the Auditorium du Louvre in Paris, at the Opéra de Strasbourg , at the Philharmonie du Luxembourg and at the Elbphilharmonie in Hamburg. Nikita Mndoyants is also a regular guest at the Ruhr Piano Festival (Germany), the Chopin Festival in Duszniki-Zdroj (Poland), the Freiburg International Piano Series (Switzerland) and since 2012, the International Music Festival of Wissembourg (France). After performing with the illustrious Borodin Quartet in 2004, he continued to cultivate his passion for chamber music alongside fabulous ensembles such as the Brentano, Ebène and Zemlinsky Quartets. Recognized composer and orchestrator, Nikita Mndoyants likes to share his own compositions with the public of his recitals. Nikita Mndoyants is well known on the airwaves of France-Musique as well as Polish Radio; he has resided in France since 2018.
Armenia
Emerging from a group of lovers and devotees to classical music, the Armenian State Symphony Orchestra was created in 2005 by Sergey Smbatyan, the present Artistic Director and Principal Conductor of the orchestra. From the very onset of its existence, the orchestra has been home to bright and energetic musicians, assembled around the shared vision of amplifying the cultural awareness in Armenia and elevating the spiritual excellence of human nature by the power of classical music.
The orchestra performs over 50 concerts annually, with a rich and multifarious repertoire covering multiple music genres and performance formats. Today, the 15-year-old orchestra has accrued both local and international reputation for its orchestral virtuosity and performing precision and has been spotlighted with many uplifting reviews by renowned critics and art reviewers.
The Armenian State Symphony Orchestra has been hosted by many reputable concert halls around the world, including Opera Garnier (Paris), Konzerthaus (Berlin), Dr. Anton Philipszaal (Hague), Tchaikovsky Concert Hall and the Great Hall of Conservatory (Moscow), Palais des Beaux-Arts (Brussels), Elbphilharmonie (Hamburg), Royal Theatre (Madrid), Dubai Opera House and others. It has been profiled a multitude of times with such world-class composers as Krzysztof Penderecki, Sir Karl Jenkins, Giya Kanchelli and Tigran Mansuryan as well as a number of highly distinguished performing artists. A remarkable chapter in the history of the orchestra was the 2020 European Tour with the renowned violin virtuoso and the Armenian State Symphony Orchestra artist-in-residence Maxim Vengerov with whom brilliant performances were hosted on famous stages around Europe- Berliner Philharmonie, Vienna's Musikverein, London's Barbican Center, Prague's Dvorak Hall, Salzburg's Grosses Festspielhaus, Moscow's Zaryadye Concert Hall and elsewhere.
The Armenian State Symphony Orchestra has a history of close relationships with world-scale artists, such as Valery Gergiev, Vladimir Spivakov, Maxim Vengerov, Denis Matsuev, Vadim Repin, Vag Papian, Boris Berezovsky, Zakhar Bron, stemming from the orchestra’s lifelong endeavor to bridge Eastern and Western musical traditions through its performances and networking with prominent figures of classical music.
Led by Sergey Smbatyan, the orchestra released its first CD under the title 'Music is the Answer' in 2011. Recorded with the Sony records label, the CD includes works by Pyotr Tchaikovsky, Dmitri Shostakovich and Eduard Hayrapetyan.
Aside from the extensive concert activity in Armenia and overseas, the orchestra also enjoys recognition and is highly esteemed for its increasing role in educating young people in Armenia. Since 2018, in the framework of DasA educational-cultural project the Armenian State Symphony Orchestra has been sparking interest and liking for classical music in high-school students across Armenia, with an attempt to galvanize a larger movement for cultivating noble insights and taste for classical music among the young generation. True to its commitment to foster access to classical music among all parts of the society and taking ownership of its social responsibilities, the Armenian State Symphony Orchestra frequently organizes charitable events and special projects in an attempt to engage people from different communities in the cultural life that largely unfolds away from them.
A number of orchestra’s concerts have been broadcast by Medici.tv, Euronews, and Classic.fm. In 2019, a documentary was released by Mezzo TV, featuring Sergey Smbatyan and the history of the Armenian State Symphony Orchestra.
The Armenian State Symphony Orchestra is represented worldwide by Only Stage.
UK
Since 1998, the Oxford Philharmonic has brought exciting and inspirational classical music performances to Oxford and beyond. Praised as ‘remarkable’ by The Spectator, the Orchestra prides itself on creating exceptional and unique musical experiences, bringing new and engaging interpretations to well-loved works in the classical repertoire.
In June 2022 the Oxford Philharmonic made its Carnegie Hall debut, in a concert ‘enmeshed in soul-enriching playing’ (Oberon’s Grove) of ‘world-class quality’ (Blogcritics).
The Oxford Philharmonic Orchestra is dedicated to the highest standards of artistic excellence and musical integrity, and strives to create bold musical statements with every concert it presents. Its continual search for excellence is underpinned by the uncompromising standards of its Founder and Music Director Marios Papadopoulos and maintained by some of the finest musicians, whom ‘Papadopoulos has moulded into a stunning group’ (ConcertoNet).
The Oxford Philharmonic attracts some of the world’s greatest artists to appear in concert, including Maxim Vengerov, Angela Gheorghiu, Sir Antonio Pappano, Anne-Sophie Mutter, Martha Argerich, Sir András Schiff, Lang Lang, Vladimir Ashkenazy, Evgeny Kissin and Sir Bryn Terfel.
In addition to its annual concert season in Oxford, touring performances across the UK, family concerts, annual Oxford Piano Festival, and Chamber Music Series, the Orchestra is proud to present a growing list of international engagements including its debut at the Tivoli Festival in Copenhagen in June 2019, US debut at Carnegie Hall in June 2022, Munich with pianist Martha Argerich in April 2023, and Haydn’s The Creation in September 2023 at St Thomas Church Fifth Avenue New York, joined by the Choir of Merton College.
The Oxford Philharmonic was appointed the Orchestra in Residence at the University of Oxford in 2002, the first relationship of its kind between an orchestra and a higher education institution.
World-renowned violinist Maxim Vengerov became the Oxford Philharmonic’s first ever Artist in Residence following his remarkable debut with the Orchestra in 2013. Over an unprecedented four-season collaboration, Vengerov performed with the Orchestra across the UK, recorded the violin concertos of Brahms and Sibelius as well as Mendelssohn’s Octet. In July 2018 Vengerov appeared at Cheltenham Music Festival and Saffron Hall with the Soloists of the Oxford Philharmonic – a tight-knit group of musicians described by Jessica Duchen as ‘a line-up to match any top-notch international chamber ensemble and probably beat them on their own turf’.
In February 2023 the Orchestra celebrates its 25th anniversary in a special concert at the Barbican with Maxim Vengerov playing Mendelssohn Violin Concerto and a new commission from John Rutter.
In December 2020, the Orchestra recorded a concert in a tribute to all those working on developing a vaccine for Covid-19 at the University of Oxford, including the world premiere of John Rutter’s Joseph’s Carol, commissioned by the Orchestra for the occasion. In addition to Rutter, the Orchestra were joined in their tribute by Sir Bryn Terfel and the Choir of Merton College, Oxford. The film was presented by John Suchet, and also included a special performance by Maxim Vengerov alongside tributes from Anne-Sophie Mutter, Vice-Chancellor of the University of Oxford Louise Richardson, and the Orchestra’s Royal Patron HRH Princess Alexandra.
The Oxford Philharmonic Orchestra has been firmly committed to outreach work from its earliest days, with projects taking music to areas of social and economic disadvantage, including hospitals, special schools, and partnerships with Oxford City Council and Oxfordshire County Council. In December 2021 the Orchestra’s Sub-Principal Violin Jamie Hutchinson was awarded the prestigious Salomon Prize, a joint prize between the Royal Philharmonic Society (RPS) and Association of British Orchestras (ABO), in recognition of the educational initiatives she spearheaded with the Orchestra’s education team during the pandemic.
As Orchestra in Residence at the University of Oxford, the Oxford Philharmonic frequently collaborates with the Faculty of Music in educational programmes with various tuition and performance opportunities for talented young musicians, including the Side-by-Side scheme, which provides an opportunity for young musicians to perform within the ranks of a professional orchestra.
The Oxford Philharmonic has appeared on several recordings including works by Nimrod Borenstein for Chandos, cello concertos by Shostakovich and Mats Lidström (Solo Cello of the Oxford Philharmonic), both conducted by Vladimir Ashkenazy, on BIS Records, A Merton Christmas with the Choir of Merton College, Haydn’s The Creation with the Choir of New College, and the Handel/Mendelssohn Acis and Galatea with Christ Church Cathedral Choir. The Orchestra’s most recent disc The Enlightened Trumpet with soloist Paul Merkelo was released on Sony Classical in September 2019.
A partnership with J & A Beare provides the Orchestra’s distinguished members with opportunities to play on Stradivari instruments, adding a new dimension to the sound of the Orchestra.
The Orchestra and its Music Director were awarded the City of Oxford’s Certificate of Honour in 2013, in recognition of their contribution to education and performance in Oxford.
Germany
For more than five decades, the Berliner Symphoniker have been an integral part of Berlin's musical and cultural life and have enriched the German orchestra landscape. Since 1990 they have been the orchestra for all Berliners.
In addition to the popular and long-established symphony concerts that take place in the Berlin Philharmonic, the Berliner Symphoniker perform throughout Berlin and the surrounding area: They are regular guests at the Konzerthaus Berlin, the University of the Arts, the Berlin Cathedral, the Kulturbrauerei and the Chorin Monastery, among others. With guest performances in Europe and tours to North and South America, Africa and Asia as well as appearances at international festivals (including in France, Italy, Austria, Spain and Israel), the Berliner Symphoniker have presented themselves successfully worldwide and see themselves as Berlin's cultural ambassadors.
In addition to the classical, wide-ranging and popular range of concerts, the repertoire of the Berliner Symphoniker also includes special rarities - unknown and forgotten works as well as contemporary compositions.
Music communication as a special focus has always been a trademark of the orchestra. It was the Berliner Symphoniker, for example, who were the first orchestra in Berlin to develop a music education profile with school concerts and children's and family concerts and who established and promoted work with young people in the long term. Numerous CD recordings and television recordings round off the multifaceted work of the Berliner Symphoniker.
